7/26/20

Bach Italian Concerto in F major, BWV971 || Rachel Naomi Kudo, Piano

Rachel Naomi Kudo’s interpretation of Bach’s Italian Concerto offers a refreshing and nuanced experience of this classic piece. The Italian Concerto, composed in the early 18th century, showcases the Baroque style with its intricate counterpoint and lively rhythms. Kudo’s performance captures the essence of this work, balancing technical precision and emotional depth.

As the first movement unfolds, Kudo’s dexterity shines through, with each note articulated clearly, allowing the vibrant interplay between the right and left hands to emerge. The energetic themes are presented with a sense of immediacy, engaging the listener from the outset. The grace and lightness of the Allegro sections are complemented by the more reflective moments, providing contrast and depth.

In the second movement, Kudo navigates the Andante with a delicate touch. The lyrical phrases resonate with warmth, evoking a sense of intimacy. Her interpretative choices, including subtle dynamics and breath between phrases, enhance the emotional weight of this movement, making it a highlight of the performance.

The final movement returns to the vivacity of the opening. Kudo revitalizes the energetic spirit of the concerto, her hands dancing across the keys with a spirited brilliance. The interplay of themes creates a joyful culmination, drawing the audience into the exhilaration of the music.

Rachel Naomi Kudo’s performance of Bach’s Italian Concerto not only honors the intricacies of the composition but also reflects her unique artistry and understanding of the works of Bach.

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Bach Capriccio on the Departure of a Beloved Brother, BWV992 || Rachel Naomi Kudo, Piano